Hands-On First Impressions With Nikon's Brand New Z6 III

Hands-On First Impressions With Nikon's Brand New Z6 III

The long wait is over. Today, Nikon announced a major follow-up to its Z6 line of mirrorless cameras, the brand-new Z6 III.

Nikon is on an absolute roll as of late. Ever since the release of the Z9 in 2021, the camera manufacturer has been creating a slate of products that have reinvigorated the brand and strengthened its bond with its customers. First the flagship big body Z9, then the smaller workhorse Z8, then the retro Zf. They’ve taken customer needs into account and offered what people have been asking for. This all, of course, has recently been elevated to an even higher level with their acquisition of cinema camera manufacturer RED which promises even more exciting developments for the company moving forward.

But their initial entrance into the mirrorless market came slowly with the original Z6 and its higher resolution twin, the Z7. I owned the original Z6. I even bought it twice. But those original bodies, and their successors, the Z6 II and Z7 II, definitely had a handful of compromises which users commented on over the years, leading to a long anticipation for the day that Nikon would release a third generation which could take advantage of some of the advancements made since the Z9 and continue the upward trend. Well, they have finally done so with the brand-new Z6 III.

I have not gotten to have an extended period with the camera yet to offer a full detailed review. But, I have gotten a chance to shoot with a pre-production model and my initial thoughts are that those Nikonians who have been waiting around for Nikon’s third generation to finally arrive will feel it was well worth the wait.

The Z6 III comes again with a full frame 24.5 MP sensor. But this time it is the world’s first “partially-stacked” sensor. What that means is that it is somewhere between the stacked sensor you would see on the flagship models and a “regular” sensor. Only part of the sensor is stacked. So, while it might not be fully stacked like the more expensive models, the partial stack still allows for significantly faster sensor performance.

With the lower megapixel count and the new sensor, the Z6 III is likely to be the company’s best low-light performer. It uses Nikon’s latest autofocus technology from the Z9/Z8, meaning there has been a massive upgrade in autofocus performance from previous Z6 models. The company is claiming a 20% increase in autofocus speed versus the Z6II, and the camera can focus all the way down to -10 EV. Again, I will test this in more detail once I get a full review unit. But in my testing with the preproduction model, it did a great job of grabbing onto faces and small details in much the same manner I’ve come to expect from my Z9. Since that camera has rarely let me down, I’ll be excited to get my hands on a production unit to really put the Z6 III through its paces.

Image shot with Z6III courtesy of Nikon.

One thing that immediately stuck out to me was that the Z6 III will be an excellent option for hybrid shooters or video creators. It is able to shoot 6K full frame video. It offers the same video formats as the Z9 and Z8, including Nikon RAW, ProRes RAW, ProRes 422, as well as the standard H264 and H265 variants. All come with the option of shooting in N-Log or Rec709. All this is important as I think the Z6 III will pair very well with those shooting with the Z9/Z8 as their A camera who are looking for a smaller secondary camera whose footage will match. With its smaller footprint, this camera would be perfect mounted to a gimbal. Or, for those who don’t need the added resolution or benefits the bigger Nikon cameras provide, at 6K resolution, the Z6 III is more than capable of acting as the primary video camera. With its full-sized HDMI and fully articulating screen, the Z6 III is a great option for filmmakers. Perhaps even a better option than its more expensive siblings for those working in low light.

For stills shooters, the EXPEED 7 image processing engine makes the camera lightning fast, roughly 3.5x faster than previous Z6 models. Like the larger Nikon bodies, the Z6 III offers 20 fps in RAW with the option for stills up to 120 fps with Pre-Release Capture. The speed of the camera is further enhanced by the redesigned semi-stacked sensor. And the camera’s added autofocus capabilities really shine in fast shooting environments. Additionally, for wedding or event shooters who prefer the 24.5MP stills, this would be a solid option for occasions when both stills and video are requirements. The ISO range is from 100-64,000 (51,200 in video) and is expandable to 204,800 in stills. That all comes with 8 stops of vibration reduction.

Image shot with Z6III courtesy of Nikon.

In terms of size and ergonomics, the camera is what you would expect. Very similar to the original Z6/Z6II bodies. Smaller than the Z8 at 760 grams. But still built solid. The camera boasts the brightest EVF of any mirrorless camera currently on the market. And fans of fully articulating LCD screens have finally gotten their wish. The camera has two card slots: one CFexpress/XQD slot and one SD card slot.

For those of you wondering, Nikon has not announced a new Z7 III as of yet. Future plans for that model are still being discussed within the company which means that, this time around, the Z6 III gets to stand on its own in the spotlight.

The Z6 III is expected to hit shelves in late June and retail for $2,499.95 (body only). There will also be an option for a package of the body plus NIKKOR Z 24-70mm f/4 lens option for $3,099.95. Nikon also announced there will be an optional MB-N14 power battery pack available this summer for a suggested retail price of $359.95.

I’m looking forward to getting to really put the camera through its paces when I get a full production model in hand. But, for now, what do you think of the proposed specs? Is this the camera you have been waiting for?

Christopher Malcolm's picture

Christopher Malcolm is a Los Angeles-based lifestyle, fitness, and advertising photographer, director, and cinematographer shooting for clients such as Nike, lululemon, ASICS, and Verizon.

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