Photography News

Do you want your sensor to shift in-body to create a higher-resolution image? Want 4.5-stop image stabilization built into the body so we can benefit from its use with any lens? Want to be able to decide for every shot exactly what level of anti-aliasing you want in order to balance moiré and sharpness? It’s all possible with the new 24-megapixel, APS-C Pentax K-3 II. And, it'll likely be possible in their rumored full-frame camera. Pentax is great, but why aren’t we seeing the “bigger” brands pony up with groundbreaking features?

If you’d asked me this question last week, I would have said no. What a difference a few days makes. Ruslan Pelykh, a New York City-based videographer and photographer, is creating outstanding video with a Leica D Lux 6, a 10 megapixel, $600 point and shoot. This post is a kick up the butt for anyone hanging on for a piece of gear as being the reason they can’t create with what they have. Welcome to creating more, with less.

Last year, I reviewed the Profoto B1 Strobe, and named it the best strobe on the market today. Phottix is looking to take that crown with their newly released Indra500 TTL, a 500w/s studio strobe with an optional battery pack. What puts it ahead of the competition? How about TTL built in, as well as High Speed Sync.

B&H has launched what is easily the most comprehensive platform for understanding Canon glass that we have ever seen: the Canon Lens Experience. Backed by 15 powerhouse photographers including Gregory Heisler, Jeremy Cowart, Jim Wark and Randy Kerr, the new platform lets you get a very in-depth look at lenses, what they do and what images taken with them look like.

A few days ago Frank Doorhof posted a great interview with headshot photographer extraordinaire, Peter Hurley. In the video Frank asks Peter what his thought process is while coaching the people that he's shooting and what photographers should do if they're wanting to get into headshot photography. Peter gives some great insight and advice on headshots and on how to to approach the people you're shooting to capture the perfect expression.